Reamp studios facebook7/1/2023 The Shure SM57 works best when driven hard and up close, so we start with a close-miked setup. We point the microphone directly at the speaker rather than off-axis, as we liked the tone we got with the GTR3, above. Let’s use a cheap Vox practice amp, the Pathfinder 10, and an entry-level Shure SM57 microphone to get similar results.įirst, we set up the amp and microphone. Traditionally, reamping is done by routing the unaffected signal out through an amplifier in a room. To something with more of a distinct tone, like this: Reamping can take us from this dry synth lead: Failing that, you can even just use the phone you already have. Out of the box, a practice amp and a basic microphone are all you need to get some air moving. Working in the box, a good amp simulator will get the job done. While they had Hansa Studios and all its amazing gear at their disposal, the good news is you don’t need an expensive setup to reap the benefits. Reamping was a common trick used by Depeche Mode on their mid-‘80s albums like Black Celebration to help them compete with stadium rock tracks on the radio. By sending our audio out into a room (either physically or virtually), we’re able to add an additional element of size and character to our part. This is all well and good but what are the benefits for us electronic musicians? Some of us may be using guitars in our productions but if not, why bother? Aside from the convenience of having a clean track with which to audition different effects, the main thing we’ll be exploring today is air. This is popular in the world of recording, as it allows the producer and engineer to get a clean take of a guitar or other instrument that can then be further treated with distortion, chorus, and other effects. These two signals can then be blended together in parallel as needed. Total Harmonic Distortion: 0.In this tutorial, we look at how to use the technique of reamping to add size and character to dry sounds-both inside and outside your DAW.Īt its most basic, reamping is a production technique where you send a previously recorded dry track through amps and effects. Intermodulation Distortion: 0.005% -10dBVĪudio Circuit Type: Passive, transformer basedįrequency Response: 0Hz to 20kHz (+/-0.5dB) Total Harmonic Distortion: 0.004% 1kHz, 0dBu Direct BoxĪudio Circuit Type: Proprietary Active Circuitįrequency Response: 5Hz to 20kHz (+/-0.5dB) It's also rack mountable using the optional SA Series rack adaptor, and Link In/Out connections are provided to daisy-chain multiple Reamp Stations together for larger setups. With this powerful unit next to your amplifier, you can seamlessly switch from recording a performance to Reamping and exploring new creative sounds, while knowing that you'll achieve the highest audio quality during each step. With a world-class DI box and the JCR Reamper under the hood, the Reamp Station is the latest must-have piece of gear for studio recording. In addition to the XLR and balanced 1/4" TRS inputs for the Reamper, a 3.5mm mini input is also included for easy connection to mobile devices such as smartphones and tablets to streamline playback and encourage additional creativity. The JCR features a custom-wound 'Made in the USA' transformer to convert the line-level signals from an audio interface so they are optimized to feed guitar pedals and amplifiers, while also including a level control, 3-position filter, and a mute switch to protect your ears when adjusting mic placement on a live amp. It takes the circuit from the Reamp JCR, originally designed by acclaimed engineer John Cuniberti, and ports it into a multi-use studio tool. The Reamper side of the Reamp Station will be familiar to many professional recording engineers and home enthusiasts alike. Pedalboard / Power Supplies / Pedal Accessories
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